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Musical Works and Audio-Visual Works
Collective Management Organizations – Tool Kit
This WIPO toolkit offers a practical approach to the collective management of copyright and related rights.
Année de publication: 2016
The Economics of Copyright and the Internet: Moving to an Empirical Assessment Relevant in the Digital Era
Economic Research Working Paper No. 9
Technology and the Internet have triggered important changes to how creative works are created and accessed, and how creators and copyright-based industries generate their revenues. The authors reassess the economics of copyright in the light of these changes. After providing an introduction to the economics of copyright, they analyze the changes to the baseline copyright model triggered by the new technological landscape. Then, they assess the empirical economic work on copyright so far, and suggest future avenues of research and related data needs.
Année de publication: 2013
Main Provisions and Benefits of the Marrakesh Treaty (2013)
This leaflet explains how the Marrakesh Treaty works and why it is so important.
Main Provisions and Benefits of the Beijing Treaty on Audiovisual Performances (2012)
The Beijing Treaty on Audiovisual Performances was adopted by the Diplomatic Conference on the Protection of Audiovisual Performances, which took place in Beijing from June 20 to 26, 2012. The Treaty deals with the intellectual property rights of performers in audiovisual performances.
An Introduction to the Economics of Collective Management of Copyright and Related Rights
Collective Management as a Business Strategy for Creators
An introduction to the economic theory surrounding collective management of copyright
The Global Publishing Industry in 2016
A Pilot Survey by the IPA and WIPO
The International Publishers Association (IPA) and the World Intellectual Property Organization (WIPO) joined forces to pilot a new survey of global publishing activity in 2016. The survey covered three market segments: retail; educational; and scholarly, academic and scientific (SAS) publishing. In total, 35 national publishers associations and copyright authorities responded to the survey.
Année de publication: 2018
Joining the International Copyright System: What's At Stake?
This booklet introduces the copyright treaties administered by WIPO, identifies some of the potential benefits they offer, and outlines the steps that countries need to take in order to join the international copyright system.
Année de publication: 2017
Unpacking predictors of income and income satisfaction for artists
Economic Research Working Paper No. 50
The stereotype of the “starving artist” is pervasive in modern Western culture, but previous research on artists and income is mixed. The goal of this study is to explore how several demographic variables, along with self-reported behaviors and artistic activities associated with non-monetary and monetary motivators, predict income and income satisfaction for artists.Using unique survey data on current working artists in the United States, we provide empirical evidence on substantial reputational rewards and rewards from altruistic behaviors as important sources of artists' utility and, arguably, sources of their motivation to create new works. Moreover, we find that the evidence on “procedural” utility from working in the arts is less straightforward, and we find that many artists are pooling and diversifying financial risks on household levels. Overall, quantitative findings indicate that artists may have different criteria and conceptualizations when it comes to income, and they may derive value from their work in a variety of ways aside from income.
Creators' Income Situation in the Digital Age
Economic Research Working Paper No. 49
The digital transformation imposes both opportunities and risks for creativity and for creative employment, with implications for trends in income levels and the distribution of income. First, we consider skill-biased technological change as a determinant of income and labor market outcomes in the arts. Arguably, the IT revolution has changed the demand for certain skills, with creative occupations being more in demand than general employment. Second, we consider declines in the costs of generating new works and artistic experimentation due to digital technologies, and their effect on the barriers to entry in labor markets. Third, we touch upon the rise of online contract labor in certain creative professions as a determinant of income. Here, online platforms can change creators' access to work opportunities and it may alter the way income is distributed. We find that wage trends for creative workers in the digital age outperform general trends in the population: based on various data sources and various ways to identify creators, we see creators losing less or even gaining a better income position in relative terms. From a policy perspective, results do not lend support to the idea that creators' income situation has systematically worsened with the rise of the internet and its intermediaries. Evidence on changing distributions of income is ambiguous as trends differ from one country to the next.
Intellectual Property and Folk, Arts and Cultural Festivals
Practical Guide
This Guide provides general information about intellectual property (IP) and cultural interests. It identifies the main IP challenges faced by festival organizers and outlines some practical elements of an effective IP management strategy, following a step-by-step approach.